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12 Years a Slave - a critique

22nd May 2014

12 Years A Slave (2013, MA)
It is difficult to pen a critical review of the winner of the 2014 Academy Award for Best Picture, but I believe it is necessary to do, as the film's reception has been illustrative of the sometimes uncritical approach to films that focus on important issues. The issue of ‘historical' slavery in the USA is clearly one that people thought worthy to highlight for the issue itself, rather than the quality of the film.
The film tells the true story of Solomon Northup, a New York state born free African-American who is kidnapped and sold into slavery and forced to work in a Louisiana plantation. When freed in 1853 he wrote an account of his time and this memoir was rediscovered in the 1960s.
While there are some reasonable portrayals, the acting is woefully uneven with some parts amateurish and ungainly. The director's seeming attempt to provide an art-house film as well as mainstream picture conflict, causing at times an odd and sometimes jarring collection of music, dramatic scenes and visual camera techniques that I believe detract from the central elements of the story. A warning to potential viewers; there are some concentrated torture and beating scenes, which ironically could have the adverse effect of turning people off from the central story. The film is also at times boringly didactic, and yet there are quite moving parts as well. It is worth noting that the director, British born Steve McQueen did not receive the Oscar for Best Director.
While it is certainly worth considering for the story itself, it continues the history of Oscar winning films which were worth nominating to raise awareness of an issue, and ended up winning the main prize. Mind you, I could be quite mistaken; as most critics have been so effusive in praise one would think they had directed the film. Certainly I was the only one in the audience laughing at some of the pretentiousness and acting - a rarity for me, as I am usually so socially conformist I wouldn't dare to do so during a preview screening.
You will already know from the title that Solomon did not remain a slave, and thank God for that, but I hope that does not soothe our consciences. Let us reflect that slavery still continues today and the sexual slave industry is estimated alone to be about 21 million people.
Peter Bentley

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